A Change in Rhythm


As I walk in (through the door second to the right in the above picture), there is a small entryway, then you turn to the right and end up facing the end of the church that is out of the photo on the right. This is a relatively small church, but the alter is enough to make me catch my breath. From the bottom of the church floor, to the very top of the highest point is wrought in gold, ornate, baroque, rococco, however, you want to describe it, the care, workmanship, and sheer GLOW of the gold is almost enough to litterally make you go to your knees. As soon as you see all of that decoration, you immediately begin to wonder who made it, how long it took, what incredible details have gone into this work. There are not too many times when I can see any kind of art work and have my entire mind immediately go to the word "prayer", but this altar in this little church is exactly that. The entire work is an amazing, multi-layered, multi-leveled prayer to God. I'm sure the entirety of this piece took many years, generations even, to complete and the continunity is also amazing. It's seamless. The style holds through. I stand there, dumbstruck and just stare at it.
From what I can tell, Ingeborg's reaction is much the same. Then, we hear a small noise and see that over to the far left of where we are standing, there is a scaffold over part of the altar, and there is a woman up on it, doing some restoration work. I am put in mind of a trip to Scotland in 2003, where I saw weavers re-creating the Unicorn Tapestries in Stirling Castle. What a privilege to be able to work on this, to say, "I helped keep this going."
I sit to say my usual prayer of thanks upon arriving, but it is certainly a while before I can bow my head. I simply cannot take my eyes off the work. There's a war in my chest that I'm barely aware of. I imagine that quite a bit of this gold may have come from "the new world" at the expense of native lives and livelihoods. This is not a pleasant thought. There's also the thought that God/Spirit/the Universe/whatever, doesn't CARE what kind of monuments we build to "it". That kind of power is really beyond the need for simple worship.
And, yet, there is a part of me, maybe the part still in the Christian upbringing that I had as a child, that completely understands wanting to make the most beautiful work of art you can create FOR the Creator, as a gift, as a form of worship, as an offering. All this rushes through me as I sit on the plain, hard bench, its stark utilitarianism a complete contrast to the amazing work in front of me. These are not thoughts that I have on a regular basis, and they surprise me. But then, I suppose a pilgrimage is a time for surprises.
After our period of meditation, we find the town library, a very lovely, modern building, and they allow us to use their computers to check e-mail, etc. I try to limit my time, since I see that there are children waiting, and I don't want to intrude. Ingeborg has a missive to write, so I go out and wait for her to free up a computer.
I find myself liking this town quite a bit. The views are stunning, there is a great mix of the old and the modern, and there seems to be quite a bit of business here, as well as a lot of pride in the place. There are fountains, statues, art sculptures, etc. Given other circumstances, I could stay here for a while.
Later, we find a tapas bar just across the shaded plaza from the church. It's patio is covered by densely-leaved trees that offer a wonderful, cool shade. The food is wonderful, all homemade, and Ingeborg and I have a couple of tapas, chat with another German couple, and then wander down a side street to look for the alburgue in hopes of possibly seeing Rita. The place is full, and the hospitalero eyes me suspiciously when I try to go it. I tell him I am just looking for a friend, and he relaxes. However, it's starting to get dark, and I don't see her boots in the racks by the door, so we decide to head back to our room to turn in for the night. We have decided to go on to Najera tomorrow, 16 km, and since we didn't really so much today, fear that it be harder than if we had walked.
Soon, we are snugged into our small beds in our beautiful little room, with glass door open a bit (thankfully, we both like AIR), and are off to sleep in no time, with dreams of gold churches and open roads in our heads...
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